Alliance of Light Artists: Catalog, Winter 1969, published by the Museum of the Media, New York, N.Y., Unpaged, see: Consciousness Communications.


American Federation of the Arts: A HISTORY OF THE AMERICAN AVANT GARDE CINEMA, 1976 New York, N.Y., see pp.49 - 65, "Chronology", by John (3. Hanhardt.


Cantrill’s Filmnotes: THE FILM/VID#O INTERFACE - Interview with Jud Yalkut, August 1973, No. 14 & 15,, Melbourne, Australia, pp. 58 - 61.


Hugh Davies, compiler: INTERNATIONAL ELECTRONIC MUSIC CATALOG, MIT Press, Cambridge, Massachusetts and London, England, 1968, see USCO, page 201.


Douglas Davis: ART AND THE FUTURE, Praeger New York, N.Y., 1973, pp.109, 149, 157, 159.


Edith Decker-Phillips, PAIK VIDEO, Barrytown, Ltd., 1998, pp. 149-150.


Wheeler Winston Dixon, THE EXPLODING EYE: A RE-VISIONARY HISTORY OF AMERICAN EXPERIMENTAL FILM, The SUNY Series: Cultural Studies in Cinema/Video, State University of New York Press, Albany, New York, 1997, pp. 187-193.


Stephen Dwoskin: FILM IS: the international free cinema, the Overlook Press, Woodstock, New York, 1975, pp.199, 217,238.


Experimental/ Quatrieme Competition Internationale du Film Experimental, Cinematheque Royale de Belgique, Casino Knokke, 25.XII.1967-2.1.1968. Catalogue.


Frank Gillette: VIDEO: PROCESS AND METAPROCESS, Everson Museum of Art, Syracuse, New York, 1973, pp.19, 29.


John G. Hanhardt, THE WORLDS OF NAM JUNE PAIK, Guggenheim Museum of Art, New York, NY, 2000, pp. 94, 184, 250, 269,


Laura Hoptman, Akira tatehata, Udo Kultermann, YAYOI KUSAMA, Phaidon Press, London, England, 2000, pp.  110-113.


Bhupendra Karia, Editor, YAYOI KUSAMA: A RETROSPECTIVE, Center for International Contmporary Arts, New York, NY, 1989-1990, pp. 89-90, 123.


Kolenischer Kunstverein: HAPPENING & FL UXUS, catalog book, Cologne, Germany, 1970, see references 21.04.66, 09.02.67, 29.09.67, 30.09.67, 02.03.68~1 6.03.68,,


Richard Kostelanetz: THE THEATRE OF MIXED MEANS, The Dial Press, New York, N.Y., 1968, page 268 and USCO section, pp.243 - 271.


Yayoi Kusama, THE 1950S AND 1960S, PAINTINGS, SCULPTURES, WORKS ON PAPER, with an introduction by Alexandra Munroe, Paula Cooper Gallery, New York, NY, 1966, in Biography and List of Works, Unpaged.


Lincoln Center: Sixth New York Film Festival, catalog, New York, N.Y., September 1968, see page 12: Special Events I.


Carl Linder: FILMMAKING: A PRACTICAL GUIDE, Prentice Hall, Englewood Cliffs, New Jersey, 1976, page 203.


Robert E.L. Masters and Jean Houston: PSYCHEDELIC ART, Balance House~Grove Press, New York, N.Y., 1968, colorplate, page 80 and pp.83, 129, 136, 145.


Wait McCaslin: “WSU Faculty Show is worth repeat visit", Dayton Journal Herald, March 7, 1975, page 27.


Jonas Mekas: MOVIE JOURNAL, Collier Books, New York, N.Y., 1972, page 215 on USCO.


Rene Micha: THE CINEMA IS LIBERTY, in ART AND CONFRONTATION: THE ARTS IN AN AGE OF CHANGE, New York Graphic Society, Greenwich, Connecticut, 1968, pp.164, 169.


William Packard, editor: THE CRAFTOFPOETRY: interviews from the New York Quarterly, Doubleday, New York, N.Y. 1974, see interview with Jackson MacLow, pp.230  231.


Nam June Paik: VIDEA 'N' VIDEOLOGY: NAM JUNE PAlK (1959 –1973) , edited by Judson Rosebush, Everson Museum of Art, Syracuse, New York, 1974, unpaged.


Lisa Phillips, THE AMERICAN CENTURY: ART & CULTURE 1950-2000, Whitney Museum of American Art, in association with W. W. Norton & Company, New York, NY, see “Video Art, Film and Video Installation” by Chrissie Iles, page. 255.


Judson Rosebush: PROBING THE DREAM STATE: FILM/VIDEO - Interview with Jud Yalkut, Syracuse New Times, Syracuse, New York, April, 1972.


lra Schneider and Beryl Korot, editors: VIDEO ART: AN ANTHOLOGY, Harcourt Brace Jovanovich, New York and London, 1976, pp.146 - 7, 151,206.


USCO: OUR TIME BASE IS REAL, the Tulane Drama Review, Fall 1966, Tulane University, New Orleans, Louisiana, pp.74 - 93.


Amos Vogel: FILM AS A SUBVERSlVE ART, Random House, New York, 1974, pp.307, 316.


Whitney Museum of American Art, Nov. 4-Dec. 3, 2000, DREAM REELS: VIDEOFILMS AND ENVIRONMENTS BY JUD YALKUT, catalog with text by Chrissie Iles, Curator of Film and Video.


Wright State University Art Gallery: LUMINOUS REALITIES, exhibition catalog, edited by Jud Yalkut, October 1975, Wright State University, Dayton, Ohio.


Gene Youngblood: EXPANDED CINEMA, E.P. Dutton & Co., New York, N.Y., 1970, pp.328 - 330, 391 - 392.


Home How to order films/videos
Bibliography Biography Resume Links
This site is designed by Megan Yalkut/Hamsa Design. Copyright 2002.